**1810:** Renata Plancher, cousin of Napoleon, Jean Plancher, and their son Baptiste run an inn, "Chez Bonaparte," in Paris, Faubourg Saint-Honoré. Jean complains that the Emperor has shown them no regard since coming to power.**1695:** Count Philippe Honoré de Roche Saint-Pierre, cousin of Louis XIV, was dismissed from Versailles by the king. He lives with his wife Marie-Louise at the Château de La Croûtinière, 250 kilometers from Versailles.**1430:** François d'Arc is the cousin of Joan of Arc. He lives in Domrémy, Joan's birthplace, with his wife Ysabeau and Gaspard, a sheep breeder. François tries by all means to free his cousin, who is imprisoned by the Burgundians.**1:** Yorik is the cousin of Vercingetorix. He lives at the salt mine of Marsal, in Gallo-Roman Moselle, with his wife Maëlle, his son Briac, his daughter Gwénola, Burgal, Maëlle's brother, and Lena, Yorik's mother.

It is the road trip of a mother and her daughter through strange worlds. The daughter wants to kill herself and the mother will try to talk her out of it.

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http://www.youtube.com/watch?v=J8RcA038XTI

http://www.youtube.com/watch?v=J8RcA038XTI

Sensual, facetious, satirical and mocking, François Rabelais born at the end of the 15th century, alone embodies the Middle Ages, this fertile era from which the modern world emerged, and the spirit of research, of intellectual fever of the Renaissance, its enthusiasms and its aspirations.

The story of one of the most infamous cases in UK criminal history, that of serial killer Dennis Nilsen. Told through the prism of three men, the series explores the personal and professional consequences of coming into contact with a man like Nilsen.

Jean Eustache (1938-81) was clearly obsessed with remakes. Not only did he remake his 1968 documentary about his home town, LA ROSIÈRE DE PESSAC, in 1979; he also remade his 1977 documentary UNE SALE HISTOIRE twice—first as a fiction film, and then, less literally, as a documentary about Bosch’s “The Garden of Earthy Delights” two years later. 　　Let me explain. The first version of UNE SALE HISTOIRE, designed to be shown second, and shot in 16mm, features Jean-Noël Picq recounting a supposedly real-life “dirty” story to a group of people, mainly women (although also including Eustache himself, visible in the foreground of a couple of shots)—a tale about peering for hours through a hole in the wall of a café into the ladies room in order to watch the snatches of women seated on the toilet. (He calls the women’s snatches their “holes,” and the word trou is repeated incessantly throughout his monologue.) The second version, shot in 35mm and designed to be shown first, adds a short prologue with critic Jean Douchet as a film director (an apparent stand-in for Eustache) asking Michael Lonsdale to tell the same story, this time to a different group of people (again mainly women, but not including Eustache)—which he does, using virtually the same words, while the women listeners make precisely the same comments. (The only previous time I saw this film, in Paris soon after it was made, these separate versions were shown respectively in 35mm and 16mm. In the Eustache retrospective currently touring in the U.S., they’re both shown on 35mm, which obscures some of the visual differences.) 　　As for HIERONYMOUS BOSCH’S “THE GARDEN OF EARTHLY DELIGHTS”, this shows Picq again, in a different living room, describing and discussing Bosch’s famous triptych (see photo below), mainly the middle panel, to a group of young people, again mainly women, who again add a few comments of their own. The main emphasis here is on various body orifices. 　　An obsessive-compulsive filmmaker and clearly a tormented one who wound up dying by his own hand, Eustache was clearly experimenting with his variations as well as goading viewers into examining their own reactions to them. The monologue in both versions of UNE SALE HISTOIRE evokes many of the interminable monologues of Jean-Pierre Léaud in THE MOTHER AND THE WHORE (1973), all of which were reportedly real-life monologues that Eustache delivered to friends or lovers and then transcribed shortly afterwards.

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